It’s not very often that philosophers make empirically testable predictions, but it’s happened.
In considering whether Taylor Swift’s rerecording of her songs are covers of her earlier tracks, my coauthors and I asked what would happen if she were to acquire rights to her original recordings. We conjectured: She wouldn’t rerecord the remaining albums. We took this to show that her motive was commercial displacement of the original— a typical function for early covers, one that’s often cited to explain the etymology of the term itself (“covering over”).
Now Swift has bought the rights to her earlier records. Recording was complete for the new version of her debut album. Those tracks may be released at some point, but a doppleganger album doesn’t have the same rationale it did before. She hadn’t gotten very far in rerecording her album Reputation, though, and now there won’t be new versions of the tracks from that album at all.
The thought experiment is made real, y’all, and we are vindicated.
Continue reading “A falswiftiable hypothesis”